Category Archives: Budo

the 1938 presentation mokoroku/manual

Koichi Tohei Shihan on Sayu Undo…

…a preparatory exercise for Katate-dori and Morote-dori Kokyu-nage.

Stand easily with feet apart.

sayu undo25SMALLsayu undo26SMALL

 

 

 

 

 

 

 

Count One. Swing your arms up to the left side, palms upward, your face always to the front (Photo 25).

Count Two. Lower your hips by bending your left knee and straightening out your right leg. Keep your upper body erect (Photo 26).

….Make a conscious effort to think about the underside of your arms. If your mind is on the upperside of the arms, they can be lifted up easily.

sayu undo27SMALLsayu undo28SMALLCount Three. Do the same movement toward your right side, completing it at count Four (Photos 27 and 28).

When you are doing this exercise, you must feel confident that you can throw your opponent by movements of your arms as at counts Two and Four.

If you try to throw him down using only your arms, you will find it difficult, but if you learn to use your [koshi] movement to throw him, you will find it easy. If your arms and [koshi] can be moved easily by your instructor’s pushing, you cannot expect to throw an opponent.

– – – Koichi Tohei Shihan,  “Supervised by Morihei Uyeshiba  [O’Sensei]”   Aikido the Arts of Self-Defense,   pp.  69-70

Koichi Tohei Shihan on Tachi-waza Katate-tori Kokyu-Ho…

Without resisting your opponent’s strength, but stretching it out and leading it in a circular movement – – this is Tenkan.

Uke:  Grasps Nage‘s left wrist with right hand.

toheikokyunage1aCROPNage:  [Tai no henko] as in Exercise No. 8   (Photo 72).  [That is:] without losing momentum, he pours forth Ki through [the] fingertips of his left hand, making the one point as the center, and turns to the right. Nage‘s throat must turn and face the direction in which the body moves. The mind also must move in the direction of the body’s movement. If the mind remains behind even for an instant, Uke will not follow Nage‘s lead.

 

toheikokyunage1bCROPNage then chooses the moment when he will lower his hips and his left arm, and waits for Uke to catch up (Photo 73). As Uke does so, Nage raises his [koshi], slides his left arm, palm up, to Uke‘s neck, and steps in with his left foot to Uke‘s rear, lowers his [koshi] and his left arm again and causes Uke to fall backward (Photo 74).

 

 

 

toheikokyunage2CROPThe use of the [koshi] and the left arm in this technique is the same as in [the] Exercise Sayu Undo.

In this technique, if necessary, Nage can strike Uke‘s chest or abdomen.

 

 

 

[Notes:]
Photo 72:  ….If [nage] will concentrate on the one point, pour forth Ki from the fingertips of his left hand and thrust out the back of his hand, that left hand will be immovable.
If, when turning, Nage turns too quickly, the timing will be off and Uke will not be able to follow Nage‘s lead.
It the Ki that is poured forth from the fingertips of the left hand were turned always as though describing a large circle, Uke will follow Nage‘s lead very easily. At this time, if Nage looks back, the flow of Ki will stop, the timing will be off and Uke will not be able to follow Nage‘s lead….
Photo 73:  When Nage lowers his hips, and does so while keeping his wrist bent fingertips pointing upward, Uke will be sucked into lowering his body too.
Photo 74: If Nage tries to throw Uke, using only his hands, Uke is not likely to oblige him. But it will be easy for Nage to do so if he lowers his [koshi] and throws him.

– – – Koichi Tohei Shihan, “Supervised by Morihei Uyeshiba [O’Sensei]” Aikido the Arts of Self-Defense, pp. 100-101

…waza!!!…

…katate-dori kokyu-ho workshop!!!…

WORKSHOPdojoCROPWORKSHOPthomassantoalanasan2CROPWORKSHOPkatarigeikoCROP

…Kamae!!!….

A Journey Through O’Sensei’s Budo – 1: Kamae

 – – – “…your overall kamae should arise from following the energy flow of the [myriad] kami, according to time, location…”

– – – Budo paragraph 1

On Sunday,  September 15,  Kimbal Anderson Sensei taught a workshop on Kamae – using paragraph 1 of the 1938 manual Budo as a reference point. We explored the interaction of ki, and aiki-inyo at a very basic level, exercises allowing the body freely to follow the guidance of Great Nature, where the motion comes from aiki-inyo.

  “When you see that every technique comes from that – and when you have that feeling – you can understand. When you look at a picture you will not see the same black and white, static ‘ok, put your foot here, your hand does this…’ – and if someone describes it this way you can see that that is not aiki – it’s a description of a picture.

“O’Sensei described aiki really well, when he talked about hooking up to Dai-Shizen and letting this move you – basically, when he was saying, ‘follow the guidance of the Kami,’  really that’s the the forces of nature for us. And not to resist this intuitive understanding, and to get a body that is built to surf that thing, so the rigidity has to go, the violence and the preconceptions – – – that’s really the whole thing. When you get the feeling of it – then you can perform any kata from that place and it just naturally happens. You end up with Nature correcting you and not me or yourself. Nature does it perfectly…”
– – – Kimbal Anderson Sensei

O’Sensei no kuden: Kamae

Always place yourself in shizentai, with complete flexibility.

– – – reported by Nobutaro Hayashi,  quoted by Nidai Doshu in A Life in Aikido, p.263

  (late 1930’s)

 

O’Sensei no kuden: Kamae (2)

In the past people often wondered: “What form is the stance that presents no openings?” Yet, such a stance has no form, instead it is a harmonious state of connection through ki that is given life through the unification of spirit and body.

– – – passed on by Kanshu Sunadomari in Enlightenment through Aikido p.120

O’Sensei no kuden: Kamae (3)

– – – Take a mental stance with the ki of love as your primary mindset.  This is also training in the mindset of takemusu.

– – – passed on by Kanshu Sunadomari in Enlightenment through Aikido p.134

O’Sensei no kuden: Kamae (4)

Open your heart in a sphere, and your body in three directions.

– – – reported by Henry Kono in Remembering O-Sensei,  ed. Susan Perry p.91