Category Archives: Jo

…Tao!!!…

…mu-nen mu-sou!!!…

The staff: wood held up in worship…

It is amazing how clearly the earliest forms of Chinese and Japanese characters depict an ancient world in which budo practice and philosophy naturally arise.  The original, four thousand year old, form of ‘bo‘ (stick, long-staff), for instance… remembering that the inspiration for O’Sensei’s misogi-no-jo is the esoteric bo kata of the Kuki family, who are priests of the Kumano shrines… and that the transmission scroll that O’Sensei gave to Michio Hikitsuchi Shihan is for ‘Masakatsu Bo-jutsu‘ – not ‘jo-jutsu‘…

…is of a tree – the substance wood – on the left-side, and of two worshipping hands holding up a plant on the right-hand-side. Later augmented with one more worshipping hand…

Misogi no Bo

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…and, hilariously, the four-thousand-year-old  kanji for “short staff” – or ‘jo‘ – means ‘a stick that is being measured’… the same picture of a tree on the left-hand side, but on the right-hand side, the sign for “take“: meaning length, or measurement: the sign for a hand –  a Japanese foot, a shaku, is the span of a hand – with the number ‘ten’. Meaning not that the stick has to be ten foot long, but that a standard measuring rod, of ten feet length, is involved…

…and this is hilarious because there are times when pretty much all we do is discuss the possible different lengths of a jo…partly because in our ryu, the length of the jo is personal: it should come up to just under the armpit.  But then, there’s the 50″ jo, and the 51″ jo: both of them a conversion error for a  4 shaku, 2 sun, 1 bu jo…. and there’s the 53″ jo

* – * – *

…and then, again, you could read it as ‘the piece of wood that we measure with our hands as we explore tate-yoko…”

…ready with jo…

…kumi-jo in the backlight…

kumijokatesantopetersan2-1

…on sword movement and tai-jutsu…

The term riai means, literally,   a blending of [ movements of the mind].  By understanding Aikido through riai, one sees that the taijutsu techniques were developed from movements using the sword. Therefore training with the sword will develop taijutsu techniques.

The Founder said that a weapon should be used as an extension of your body [ – and of your ki-body, thus defining your ki-envel0pe]. However he stressed that one should not develop a dependence upon [actually having] a particular weapon. To build [this way of using your ki (kimochi)] one should practice the basic exercises of ken and jo suburi, tai no henko, and kokyu dosa consistently. A good understanding of these basic exercises will enable the practitioner to move smoothly and surely with or without weapons.

– – – Morihiro Saito Shihan (presumably),  inside front flap of Traditional Aikido vol. 1

…kumi-jo!!!!…

…jo as axis of the universe!!!…

…putting the “jo” back into “dojo”!!!…

…Masamichi Noro Shihan: O’Sensei and the Jo…

As for myself, I am more a man of the jo than a man of the sword. This is not by my own choosing:  one day, while I was still in Japan, and Ueshiba Sensei’s uchideshi, he asked me to go fetch my bokken. I took up a kamae in front of him, my bokken horizontal. He struck with a great blow that shook my whole body – and I let go of the bokken. “This will never do,” was all he said. “Go get your jo,” he added. I said to myself: “he’s going to do the same thing again,” and this time, I ‘organised’ my body, and then I waited for the blow.  He struck again, very hard, and I think that this time it was he who felt that “electric shock”. He didn’t say anything, but looked at me and left. From that day on he asked me to practise with the jo.  I believed that he thought I would be good at the jo, and so I practised hard. There were almost no jo techniques. From time to time, Ueshiba Sensei would give a public demonstration, and I would record it, and afterwards learn to embody his movements. When he was working alone [with the jo], at least from what I understood, he was trying – using the jo and sounds – to actualize or manifest the life of the universe. Actualizing or manifesting life, and love, with those movements…

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