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The Birth of Surrealism… Paris, Spring of 1924 (3)

– – – Louis Aragon (1924)

But amongst all the tunes that sometimes I hum, there is still one that gives me, even today, an untrammeled illusion of Spring and of fields: an illusion of real freedom. Sometimes I forget this tune… and then, suddenly, I find it again.  Freedom, freedom… it’s the time of day – the time of the evening – when the wind’s chains of transparent links fly away across the watered silks of the sky, it’s the time of the evening when the ball and chain become slaves of the ankle, and handcuffs become jewels… And sometimes, on the walls of his cell, the hermit and recluse scratches into the stone an inscription that sounds on the hard surface like the sound of wings. And sometimes he sculpts, above a rivet, a calligraphed symbol of the lovers of the earth. And it’s because he’s dreaming. And I, too, am dreaming… am transported… am dreaming…  And I dream of a long, long dream where everyone else is dreaming, too… I do not know what will come of this new movement of dreams. I am dreaming at the edge of the world, and at the edge of the night.

So what is it you want to say to me, you, who are way off in the distance?  Calling out to me with cupped hands, laughing at what the dreamer is doing… At the edge of the night and of crime, at the edge of crime and of passion… Oh,  Rivieras of irreality… your casinos – without distinction of age – open their gambling halls to all and everyone who wants to lose!  It is time, it is really time, believe me, to not be winning any more…

“Who’s there?”  Well, okay then: let infinity enter!

pp. 28-29,    A Wave of Dreams

a complete English translation is here:

…Guy Debord / La Société du Spectacle(17)…

32

  • The working man is not improving himself, he does not make himself a better man: he is not creating a better self.  He creates a basis of power that is completely outside of himself.  The success of his creativeness – its abundance – comes back on him as an abundance of dispossession.  Both the time and the space of his world become foreign to him with all the accumulation of his alienated creations. These performances and images are the map of this newly fabricated world, a map which perfectly and precisely covers the territory it maps. They are precisely our creative power that has escaped us, and that now displays itself again to us in all its full strength.

* – * – *

Here, Guy Debord is addressing the Ten Perfections, based on the Shingon idea of right action and right livelihood. Actually it’s a universal Buddhist idea – sometimes Eight, sometimes Ten Perfections – and they go way back – actually they go back to the Vedic yogas, who were a Northern people…

  • right view
  • right resolve
  • right speech
  • right conduct
  • right livelihood
  • right effort
  • right mindfulness
  • right samadhi
  • right knowledge
  • right liberation

…and if you were at a Brahmin level, or a Samurai level, you learned these – and you must do them for a while – and then you can actually pick advisers: an architect, a healer… you can assign a healer for your country because you have studied these ten perfections…

..and in the perfect democracy, you can participate in choosing a healer for your country, because you have studied the ten perfections…

 read more:

STANLEY PRANIN’S MEDICAL GOFUNDME PAGE…..

Stanley Pranin has dedicated his life to aikido and its practitioners. It is time for us to return the energy and concern for one who is One Of Us, now…

GAMBATTE PRANIN SENSEI!!!

Please, all dojo, consider linking to his GoFundMe page, and being there for him…

 – – – Takeharu Yoshi Renshi

Peter has a show playing with his sound design:

the Shakespearience touring production of A Midsummer Night’s Dream  touring Idaho and neighboring states February 13 – April 14…

Michio Hikitsuchi Shihan remembers…

He also told us to have a sense of gratitude. Be thankful for others and to nature. Without gratitude we cannot become true human beings. The power of nature, the sun, gives us everyhing. When rain falls, the field produces rice. Fruit and grain grow. This is the gift of the earth. Therefore the keiko is very important.

– – – in Remembering O-Sensei, ed. Susan Perry, p.101

O’Sensei no kuden: peace in the world (5)

It is absolutely not through a struggle against cosmic conditions that an  organism grows and preserves itself, but on the contrary, by adaptation  and harmony with them.

– – – recorded by André Nocquet Shihan,  reported in Aikido: Heart and Sword tr. Stanley Pranin,  p. 11

Hirokazu Kobayashi Shihan and André Nocquet Shihan…

HKobayashiANDNocquetCROP

– – –  Bu-Iku: Ritterlichkeits-Erziehung,  Yasuhiko Kunimoto,  tr. Kiyoko Furumoto ,  p.42

Shinken Shobu…

…once you have gotten to a certain degree of relaxation and ki-flow, then you become aware that, when you pick up a live blade, the attention that you give that blade is a very particular  ki-flow, and imagining that live blade as your spine or central channel creates that same ki-flow and is actually an aid to relaxing the other two center channels.  Te-gatana is this same ki. And always practising as if you had a live blade is about this same ki-energy in this same place.  Aiki-myo-kenAme-no-Murakumo-no-Tsurugi…the sword that

SUSANO-NO-MIKOTO

found in the tail of the eight-headed dragon…the purifying jo of the esoteric Kuki priests of the Kumano shrines… Samadhi… the Dragon King….

A change of optic:

Aikido is a gem of many facets – sometimes it seems that every one of O’Sensei’s students remembered a different teacher, and of course, many, many different styles have been preserved and developed – but here is one facet that clicked into focus for me recently:

what if O’Sensei spent his time away from Iwama and Tokyo coherently pursuing what he felt to be his “mission in life”?…

what if he spent his time away from Iwama and Tokyo creating and nurturing a network of dojos run by Omoto-Kyo, ex-Omoto-Kyo and Ko-Shinto believers ( hand-picked deshi,  some of them raised, almost, as members of his family) – – – and ex-Kamikaze pilots, too (!) – often with his own name on the sign –  in places – and close to shrines – that had been important to the  Omoto-kyo,  and to his own life, and that were a continuation of his activities in the late twenties and early thirties (which is to say:  the projects of his first enlightenment experiences) ?…

what if he made several of these dojo-cho tenth dan, and told them “there is no iemoto system in aikido”?…

asked one of them to write a book on kokyu?… and asked said dojo-cho’s brother to write his (O’Sensei’s) biography?…

and told one of them “you are a [/the ?] true successor to me”…

and to another – who studied with him from age 14 to age 45 – gave transmission scrolls…

what if O’Sensei was more relaxed with, and spoke more deeply and openly to these dojo-cho than to other aikido-ka, and was such a powerful influence on them that frequently their thoughts echo his own?…

…such as the thought, expressed by Seiseki Abe, that the doka are O’Sensei’s writings that most reliably survive transmission – because you cannot edit a very strict poetic structure (waka) without that being immediately obvious?…

and, of course,  what if he felt the CENTER of this network – old school – to be his spiritual practice in Iwama, where he build a dojo that looked very much like a Temple or a Shrine…

and what if Omoto-kyo was in many ways not what we would call “a new religion” (that’s a government label) – but rather preserved a body of traditional (pre-Meiji) Japanese thinking (harmoniously blended Shinto, Esoteric Buddhism, Taoism, and Idealist Neo-Confucianism) and practices in a transformation that was both competitive with and influenced by Christianity, and adequate to the wider world – and wider religious perspective –  beyond Japan, opened up by the Meiji restoration?…

and what if O’Sensei’s very personal blend of Omoto-kyo and Ko-Shinto thinking preserves a body of traditional Japanese thought (harmoniously blended Shinto, Esoteric Buddhism, Taoism, and Idealist Neo-Confucianism) and practices in a certain rapprochement with Christianity that is – just as he believed –  entirely adequate to the global culture and the realities and challenges we now all face?…

and what if O’Sensei’s synthesis of Omoto-kyo and traditional thinking  was integral to his understanding and work with ki and kokyu?  – –  –  a continuation and development,  in fact,  of  traditional higher-level budo thinking – or rather: practice, just as Jigoro Kano noted 1)…

and what if O’Sensei remained loyal his entire life to his family’s Ujigami – the gods of the three Kumano mountain shrines, in both their kami and buddha aspects – their shrine still visible in the garden of O’Sensei’s birthplace when Nidai Doshu went to gather biographical material – and what if O’Sensei returned to those three mountains for guidance in times of crisis, was friends with the Guji of the head shrine, privy to that family’s esoteric, Ko-Shinto philosophy, and attempted to bring said Guji into the network that he considered his “life mission”?…

indeed, what if O’Sensei created the shrine(s), farm, and dojo at Iwama as an improved version of what he had had at Ayabe – and later at the Budo-Senyo-Kai’s Hombu Dojo at Takeda?… and if, post-war, for real, and for more than half a decade, that  farm and dojo – his Aiki-En –  were operating largely outside the money economy,  feeding and housing his dojo “family” – and were, in fact, at that time, the “hombu” dojo  –  and sending rice to feed the dojo in Tokyo? …

and what if his opinion of Tokyo – and all things Tokyo – was colored by, for instance, the interrogations that attended his attempts to move there in 1925 and 1926 2) – not to mention subsequent events affecting the Omoto-kyo?…

…so that, after the war, rather than promote an “Ueshiba” dojo in Tokyo, he encouraged a long-time deshi with family ties to the army and the wartime cabinet to open a dojo there?

and what if O’Sensei saw cultural affinities between, out of all the western nations,  France and Japan, and worked on having the Hombu – and other – deshi with most affinity to his “life mission” sent to France?…

and what if he chose out foreign uchideshi and deshi for their perceived affinity to his “life mission”?…

and what if his “life mission”,  given to him in a vision in 1940, was not so different, after all,  from the one bestowed on him by  Onisaburo  Deguchi?…

…and so what if we stay aware, at the least, when we hear the stories about O’Sensei – and read the writings and quotes that have come down to us – of which dojo, which city or town (and look at the map!), which deshi 3), which shrine and what year? …

…the eccentric, inexplicable old man in one place; the serious, sometimes severe, farmer and budo master with a rigorous spiritual routine in another; and elsewhere the relaxed and wise old sage, talking religion, philosophy, and old times with his favorite long-time students, and practising calligraphy….

– – – – FastSlow   (August 2013)

1) “We have to leave techniques like those of Mr. Ueshiba to future generations. The old traditional jujutsu was the same as his style, but it is difficult to find out how to practice them systematically” Jigoro Kano to Kenji Tomiki Shihan in March 1936, cited in Aikido Tradition and the Competetive Edge, by Fumiaki Shishida and Tetsuro Nariyama, p.29
2) Remembering, too, that this was a man whose family had spirited him off to Tokyo after he agitated against the Fishery Acts of 1901, and to Hokkaido after he joined Minakata Kumagusa’s movement to oppose the 1906 Shrine Consolidation regulations.
3) …and pay attention, too, to which deshi got to eat their meals with the Ueshiba family…

…Fourth of July Jinja-Mairi!!!…

…appreciation…

SenseitoSenseiCROPThis summer I was able to visit Tsubaki America Shrine for my O-Mairi.  It has been many years since I was able to go,  so I was really happy to be there and experience the transformative atmosphere of the Shrine,  and even more:  Guji-San’s amazing talent as a shrine-keeper.  We were able to visit a little bit, but it was a very busy time for him, too. So, all the more, we enjoyed so much his hospitality, and hope to return soon.

We are hoping to collect a group of dojo-members who might be  interested in experiencing shrine technology and take them up for a little trip.

I want to extend my incredible gratitude to Sensei for the years of work that have created this Shrine.  He’s one of the few people that I’ve ever met who have that level of commitment that they can make something that everyone says is impossible  actually happen, and happen in a bigger and more incredible way than anyone could have imagined.

– – – Kimbal Anderson Sensei,   August 2014

KimbalSenseiinfrontofShrineCROP